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Joe is the founder and creator of CREATIVEBLOCH and has over 25 years experience as an artist, illustrator and Creative Director. He graduated RIT with a BFA in medical illustration and illustrated countless books, journals and magazine covers for various clients. Joe's highly textured acrylic paintings are known for their bold, expressive style. He created CREATIVEBLOCH art magazine, a publication for emerging and re-emerging artists. He is also the illustrator and author of "STICKY CITY" a new graphic novel created entirely on the iPad Pro. Joe's work has been shown at CREATIVEBLOCH GALLERY, VAN DER PLAS GALLERY, CASTLE FITZJOHNS GALLERY, FILLIN GLOBAL, STUDIO MILO and the BROOKLYN WATERFRONT ARTISTS COALITION. He has been active in showing through ARTINDUMBO events such as the DUMBO Open Studios, the DUMBO Arts Festival and First Thursday Gallery Walks.
Joe creates vivid, highly-textured acrylic paintings that capture the raw psychoses of contemporary urban life on canvas. Although the work has an impressive artistic legacy from the Impressionist and Expressionist Eras, Bloch updates Van Gogh’s methods for the 21st century. His work depicts a jumble of slices of contemporary urban life through a somewhat macabre and humorous lens. In this way, Bloch addresses some of the same social concerns of the Expressionists, primarily the effect of industrialization and urbanization. In many of his works, huge towers spew noxious fumes into the air, corrupting skies that should have been blue. A sense of irony lightens the often dark mood that is conjured up looking at the work.
The paintings are highly textured, with prominent brush strokes reminiscent of the works of Monet and the Impressionists in terms of methods. However, the powerful lines and colors of the paintings also channel certain elements of the Expressionists of the 20th century along with contemporary street artists. The thick outlining and use of vivid colors creates heightened versions of familiar places and things, making them to be unfamiliar, caricatures of themselves. In this way, Bloch creates a very specific emotional and psychological response rather than depicting the physical reality.
The work encourages you to confront uncomfortable feelings that would otherwise be swept under the rug; these works have no obligation or intention of being "pleasing" in the conventional way. Furthermore, the exclusion of identifiable figures allows the works to transcend ethnicities and genders to create a purely visceral psychological response, much in the same way that Munch’s work does.
Ultimately though, the critique of machines, technology and the city may be rooted in the 20th century ideology of Post-Modernism. The rockets, factories and tanks could be antagonists in these stories. While there is no visual mention of a possible solution to this urban condition, the critique itself questions whether man and industry can co-exist. Bloch seeks to discover if Post-Industrial gentrification can become Re-Industrialized without pre-fabricated luxury condos and boutiques. In some ways leaving viewers questioning their current existence, lifestyle and superficial mindset.
Bloch’s work is gritty and emotional, depicting the city as a modern industrial dystopia. He creates a haunting narrative with many machines but no people. Although not literal representation of New York City, the images are powerful, raw and thought-provoking. But just because the images do not coincide with the literal reality of the city, that does not make them inherently misleading-in fact, they may be more honest than we know.